His all-too-brief odyssey almost immediately took on mythic proportions, especially since his murder followed the shooting of rival Tupac Shakur by only six months.Christopher Wallaces sprawling second album ramps up the drama and the pop sheen: Mo Money Mo Problems turns a sparkling Diana Ross sample into a triple beam lyrical dream, and the smooth, rolling Hypnotize is as spellbinding as its title promises.
Biggie Smalls Album Crack Commandments OrStill, Big never sacrificed any of the narrative gritlook no further than Ten Crack Commandments or his much-imitated, never-duplicated flow.While hardly the first to rap about the pleasures and pitfalls of drug dealing, The Notorious B.I.G.I remember when he was doing the title track, I was a little disturbed, Easy Mo Bee, who produced several of the albums standouts, tells Apple Music. From the autobiographical Things Done Changed onwards, Biggie Smalls spoke directly, without distillation, about Brooklyn crime and culture, connecting instantly with those in the know while compelling others less attuned to catch up. The violence and costs of the hustle are laid bare on the stick-up-kid anthem Gimme the Loot and the closer Suicidal Thoughts, which ends with the sound of him killing himself while on the phone with executive producermentor Sean Diddy Combs (then known as Puff Daddy), who pleads for him to reconsider. But against the backdrop of violence and death, Big mixes in moments of aspiration and confidence. ![]() The song, which samples Mtumes 1983 Ramp;B classic Juicy Fruit, is one of the first examples of Diddy turning extremely recognizable past hits into commercial hip-hop gold; the shiny, familiar production helped Bigs gruff voice and tales of a common thief find radio and mainstream success in a year when the biggest rap hit on Billboards Hot 100 was Salt-N-Pepa and En Vogues Whatta Man. In the early process the album was Biggie at his most purest, rawest form, Brooklyn DJ Mister Cee, associate executive producer and the man often credited with discovering Big, tells Apple Music. Diddy stepped in and said, Hey, man, we gotta make some radio records. When he played Juicy for Big, it was just like, What the fuck is this Lil Cease, Bigs childhood friend and frequent collaborator, tells Apple Music. Obviously, Diddy won over Big, who, says Cease, perfected the formulastreet-hustler rhymes softened by glossy, radio-ready productionsketching a blueprint that JAY-Z, 50 Cent, and rap stars of today still follow. The song, which samples Mtumes 1983 RB classic Juicy Fruit, is one of the first examples of Diddy turning extremely recognizable past hits into commercial hip-hop gold; the shiny, familiar production helped Bigs gruff voice and tales of a common thief find radio and mainstream success in a year when the biggest rap hit on Billboards Hot 100 was Salt-N-Pepa and En Vogues Whatta Man.
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